Efrem: SECONDS AWAY

ON "STUDIO 5"...

*

Efrem: VANESSA

WILLIAMS REVEALS A RETURN

TO THE RECORDING STUDIO.

NOW I SEE WHY YOU

WANTED TO BE ALONE.

Efrem: AND SHARES THE

HEART OF HER LATEST ACTING

ROLE.

PLUS...

*

Efrem: BEHIND THE

SCENES OF THE POWERFUL

DOCUMENTARY, "ROMEO," WITH

A HIP-HOP PIONEER.

I UNDERSTAND YOU LOVED

THIS FILM IMMEDIATELY.

WHAT WAS IT ABOUT THIS

FILM?

ALSO AHEAD...

I DIDN'T KNOW YOU'RE

NOT ALLOW TO SAY AH, AFTER

YOU DO COMMUNION.

Efrem: COMEDIENNE

ALLISON MOORE SERVES UP

THE FUNNY IN "STUDIO 5,"

STARTING NOW.

*

Efrem: AND WELCOME TO

"STUDIO 5."

WE'RE GETTING TO THOSE

STORIES IN JUST A BIT.

BUT LET'S GET STARTED WITH

YOUR WEEKLY COUNTDOWN OF

THE FIVE MOST UPLIFTING

HEADLINES IN THE WORLD OF

ENTERTAINMENT NEWS.

HERE ARE THE FIRST TWO.

AT NUMBER FIVE...

WHOOSH, AND THAT'S THE

GAME!

Efrem: ...FUNNY MAN

JIM CARREY DELIVERS AN

INSPIRING MESSAGE.

AND I WANT TO SPEAK TO

THE FACT THAT I BELIEVE

THIS ROOM IS FILLED WITH

GOD.

AND I ADMIRE YOU.

Efrem: ADDRESSING A

ROOM FULL OF FORMER

INMATES, HERE AT "HOME BOY

INDUSTRY," A

LOS ANGELES-BASED

ORGANIZATION THAT PROVIDES

SUPPORT AND JOBS TO FORMER

PRISONERS AND GANG

MEMBERS.

AND ULTIMATELY I

BELIEVE THAT SUFFERING

LEADS TO SALVATION.

Efrem: AT NUMBER

FOUR...

SHE'S MY MOM.

Efrem: PRINCE WILLIAM

AND PRINCE HARRY REOPEN UP

ABOUT THEIR MOTHER IN A

NEW TV DOCUMENTARY.

THE FILM'S DIRECTOR SAYS

THE PRINCES WERE EAGER TO

CELEBRATE HER LIFE, GOING

THROUGH PHOTO ALBUMS THAT

HAD BEEN SHUT FOR 20 YEARS

AFTER SHE WAS KILLED IN A

CAR ACCIDENT.

THE FUTURE KING OF ENGLAND

WAS ONLY 15 AT THE TIME,

AND HARRY, ONLY 12.

THIS IS THE FIRST TIME

THE TWO OF US HAVE SPOKEN

ABOUT HER AS A MOTHER.

SHE WAS ONE OF THE

NAUGHTIEST PARENTS.

Efrem: AND NUMBER

THREE IS JUST MOMENTS

AWAY.

VANESSA WILLIAMS IS A

SINGER, ACTOR, AUTHOR,

SINGER AND PRODUCER.

SHE JOINS US VIA SATELLITE

IN JUST A MOMENT TO TALK

ABOUT HER LATEST PROJECT,

BUT FIRST, THIS

INTRODUCTION TO THIS

WEEK'S "STUDIO 5"

INTERVIEW.

LUCILLE TELLS ME YOUR A

REAL ESTATE DEVELOPER?

Efrem: VANESSA

WILLIAMS IS MORE THAN A

TRIPLE THREAT.

THE STAR OF THE BROADWAY

STAGE, TELEVISION, AND

SCREEN, IS ALSO A SINGER,

AUTHOR, FASHION DESIGNER,

AND MOTHER OF FOUR.

OUR NEW MISS AMERICA IS

VANESSA WILLIAMS.

Efrem: SHE GAINED

RECOGNITION AS THE FIRST

AFRICAN-AMERICAN TO WIN

THE MISS AMERICA TITLE

MORE THAN 30 YEARS AGO.

BUT SCANDAL FORCED HER TO

RETURN THE CROWN WITH ONLY

WEEKS LEFT IN HER REIGN.

MY PARENTS WERE THERE

FOR ME.

THEY DIDN'T CAST JUDGMENT.

THEY SAID, OKAY, WE LOVE

YOU AND WE'LL GET THROUGH

THIS.

Efrem: WITH THAT

LOVE, VA VANESSA'S LIFE AND

CAREER HAVE BEEN A STEADY

RISE.

HER LATEST ACTING ROLE IS

A TALK SHOW HOST IN THE

SERIES "DAYTIME DIVAS."

YOU'RE THE MOST ALPHA

WOMAN OUT THERE.

THAT'S WHY I WROTE ABOUT

YOU IN MY BOOK.

YOU DID?

YOU DID.

IT IS BEYOND FLATTERING.

Efrem: VANESSA, WHAT

IS IT THAT ATTRACTED YOU

TO THIS VERY INTERESTING

AND UNIQUE CHARACTER?

WELL, IT IS ACTUALLY

MAXINE ROBINSON.

AND STARR JONES NAMED MY

CHARACTER AFTER MAX

ROBINSON, WHO WAS THE

FIRST AFRICAN-AMERICAN

ANCHOR ON TV BACK IN THE

DAY.

SO IT WAS KIND OF A

TRIBUTE TO HIM.

BUT IT IS ALSO THE FACT

THAT SHE WROTE IT WHEN SHE

WAS RECOVERING FROM HEART

SURGERY.

THE DOCTOR TOLD HER SHE

WAS GOING TO LOSE SOME

BRAIN CELLS, OBVIOUSLY

WHEN HER HEART WAS OUT OF

HER BODY, AND THEY WANT

TODWANTEDTO MAKE SURE SHE EXERCISED

HER MIND.

SO SHE WROTE A FICTITIOUS

BOOK ABOUT A DAYTIME TALK

SHOW.

SO THE NAME OF OUR TALK

SHOW IS CALLED "THE LUNCH

HOUR."

I PLAY MAXINE ROBINSON WHO

IS THE PRODUCER AND STAR

AND CREATOR OF THE SHOW.

AND SHE HAS FOUR CO-HOSTS.

ONE IS AN EVANGELIST, ONE

IS A YOUNG PULITZER PRIZE

WINNING JOURNALIST, ONE IS

A CHILD STAR, WHO IS NOW

DEALING WITH SOBRIETY

ISSUES, AND YOU KIND OF

WORK THROUGH WHAT PEOPLE

KNOW AS THEIR REALITY BUT

WHAT WE BRING IS THE DRAMA

TO OUR OWN REALITY ON "THE

LUNCH HOUR."

Efrem: I LOVE EVEN

THE VERY BEGINNING, WHERE

WE FIND YOU IN THE

HOSPITAL IN A SUPPOSED

COMA FOR A LITTLE BIT.

[LAUGHTER]

Efrem: BUT, ALSO, THE

HEART OF YOUR CHARACTER --

YOU REALLY SEEM TO HAVE A

TAKING TO ONE OF YOUR

CO-HOSTS WHO IS

STRUGGLING.

WHAT IS IT, YOU THINK,

THAT ATTRACTS MAXINE TO

THAT PARTICULAR CHARACTER?

I THINK BECAUSE MAXINE

NEVER HAD CHILDREN.

SHE HAS A SON WHO'S SHE'S

ADOPTED, SEAN, WHO ALREADY

HAS ONE OF OUR CO-HOSTS

PREGNANT, WHO IS ALSO

MARRIED TO SOMEBODY WHO IS

RUNNING FOR SENATE.

SO THAT'S ONE DRAMA

ITSELF.

I THINK THAT BECAUSE SHE

DOESN'T HAVE CHILDREN,

THAT SHE ACTUALLY GAVE

BIRTH TO, SHE HAS AN

AFFINITY TO BE A MENTOR.

AND I THINK FOR SOME

REASON SHE FEELS SORRY,

AND SHE FEELS VERY

PROTECTIVE OF THE

CHARACTER KIBBY, WHO IS

PLAYED BY CHLOE BRIDGES,

WHO WAS A CHILD STAR, IS

REALLY TRYING TO MAKE IT

IN HER 20s IN THE WORLD,

AND STRUGGLING WITH

DEPENDENCY ON DRUGS AND

ALCOHOL.

THESE ARE ALL THINGS WE'VE

SEEN PLAY OUT IN OTHER

PEOPLE THAT WE REALLY KNOW

IN THE MEDIA.

AND I THINK WE CAN ADDRESS

THEM AND SHOW KIND OF THE

REALITY OF THE STRUGGLE OF

DISAPPOINTING PEOPLE,

TRYING TO HOLD ON TO YOUR

JOB BECAUSE YOU HAVE TO,

BUT YOU NEED TO AS WELL.

Efrem: I KNOW RIGHT

BEFORE THIS INTERVIEW

BEGAN, MY STAGE MANAGER

TELLS ME THAT I SAW

VANESSA WILLIAMS LAST YEAR

IN "RICHMOND AT THE JAZZ

FESTIVAL."

YOU DO SO MUCH I FORGET

YOU ARE A SINGER.

ANY NEW MUSIC COMING FROM

YOU?

I WOULD LIKE TO GET INT

STUDIO AND START SOME NEW

MUSIC.

IT IS ONE OF THE THINGS

I'LL GET TO, AND THEN I

GET SIDE TRACKED.

I PROMISE I'VE GOT TO DO

IT WITHIN THE NEXT -- BY

YEAR'S END, I'M GOING TO

WORK ON SOMETHING.

I PROMISE.

Efrem: YOU HEARD IT

FIRST HERE ON "STUDIO 5,"

VANESSA WILLIAMS IS

GETTING INTO THE STUDIO

BEFORE THE END OF THE

YEAR.

THAT'S RIGHT.

Efrem: THANK YOU SO

MUCH FOR YOUR TIME.

AND THANK YOU FOR ALL OF

THE WORK YOU DO.

YOU ARE A TRUE

INSPIRATION.

OH, THANK YOU.

I APPRECIATE IT.

Efrem: STILL AHEAD ON

"STUDIO 5"...DONTE CLARK

USES WRITING AND POETRY TO

RISE ABOVE A DEADLY TURF

WAR IN RICHMOND,

CALIFORNIA.

HIS STORY IS NOW THE

SUBJECT OF A POWERFUL

DOCUMENTARY WITH RUSSELL

SIMMONS BEHIND IT.

IT IS A WAY TO GET THE

VOICELESS TO SAY SOMETHING

AND EVERYBODY TO HEAR IT.

AND IT IS A WAY TO GET THE

VOICES TO HEAR THEMSELVES.

Efrem: AND WELCOME

BACK.

IT IS TIME TO GET BACK TO

THE COUNTDOWN OF THE BEST

IN UPLIFTING ENTERTAINMENT

NEWS.

HERE IS NUMBER THREE.

AT NUMBER THREE...

TAKE THREE.

Efrem: ...DISNEY

ANNOUNCES THE CAST FOR ITS

LIFE ADAPTATION OF

ALADDIN, AND ALONG WITH

WILL SMITH IS NAOMI SCOTT

AS PRINCESS JASMINE.

* YOU'RE STARING AT ME

*

Efrem: SCOTT MAY BE

BEST KNOWN FOR PLAYING THE

PINK POWER RANGER, BUT SHE

IS ALSO A RECORDING ARTIST

AND WORSHIP LEADER.

*

Efrem: WHO SHARES HER

FAITH AND PRAYERS FOR

PERSECUTED CHRISTIANS ON

SOCIAL MEDIA.

> AT NUMBER TWO...WE'VE

SEEN JUSTIN BIEBER ROCKING

OUT TO "HILLSONG YOUNG AND

FREE" RECENTLY POSTING

THEIR SINGLE "FALLING INTO

YOU," AS HIS FAVORITE

SONG.

WE MENTIONED IT TO THE

BAND MEMBERS WHO PAID

"STUDIO 5" A VISIT ON

THEIR AMERICAN LEG OF

THEIR "YOUTH REVIVAL"

TOUR.

> HOW DOES IT FEEL TO

HAVE SOMEONE LIKE THAT

CHAMPION THE MUSIC THAT

YOU'RE PUTTING OUT?

I THINK IT IS REALLY

COOL THAT SOMEONE AS

INFLUENTIAL AS HIM IS

MAKING A STAND FOR JESUS.

AND THE FACT THAT HE IS

INTO WORSHIP MUSIC AND

INTO MUSIC PLATFORMS TO

GET THE MESSAGE OUT ABOUT

WHO JESUS IS AND WHAT HE

HAS DONE, AND IT'S JUST AN

HONOR.

Efrem: AND THAT

LEAVES ONLY ONE MORE IN

THIS WEEK'S COUNTDOWN.

WE'LL GET TO IT IN JUST A

MOMENT.

> AND THIS NEXT STORY

WILL MAKE IT WELS IT WELL WORTH

THE WAIT.

RUSSELL SIMMONS IS A

PIONEER IN THE HIP-HOP

WORLD.

HE IS NOW BEHIND A

MASTERFUL DOCUMENTARY

ABOUT THE LIFE OF A YOUNG

POTE WHO USED HIS WRITING,

AND EVEN SHAKESPEARE, TO

TOUCH YOUNG PEOPLE AND

CURB GANG VIOLENCE IN

RICHMOND, CALIFORNIA.

HERE IS YOUR FIRST LOOK AT

"ROMEO IS BLEEDING."

MY MAN FROM RICHMOND,

CALIFORNIA.

MAKE SOME NOISE FOR DONTE!

[CHEERING]

I LIKE TO THINK ABOUT

THE TIMES WHEN MY POPS WAS

IN JAIL, AND MOM DIDN'T

KNOW HOW WE WAS GOING TO

EAT.

UNTIL YOU UNDERSTAND

ME...

Efrem: POST DONTE

CLARK IS THE CENTER OF

THIS MASTER FULLFUL

DOCUMENTARY.

[RAPPING]

* YOU TELL ME

Efrem: JASON VALDEZ

DIRECTS THE FILM.

WHAT WAS IT THAT DREW YOU

TO THIS STORY?

THE SHORT ANSWER IS

DONTE.

DONTE IS JUST ONE OF MY

FAVORITE ARTISTS,

POINTBLANK, PERIOD.

HAVING ACCESS TO ONE OF MY

FAVORITE ARTISTS WHEN

THEY'RE JUST AT THE

BEGINNING OF THEIR JOURNEY

IS AN INCREDIBLE

OPPORTUNITY FOR A

FILM-MAKER.

OVER YEARS, I STARTED

TO READ MORE AND INVESTED

INTO DIFFERENT FORMS OF

WRITING.

AND THEN ROMEO & JULIET

CAME BACK AROUND.

WHEN I READ IT, IT WAS,

LIKE, THAT'S ME.

THAT'S MY LIFE.

THAT'S OUR LIFE.

WE CAN TAKE A

SHAKESPEAREAN PLAY AND

REWRITE IT AND MAKE IT

FILT RICHMOND.

Efrem: IT WAS A

FIVE-YEAR JOURNEY MAKING

"ROMEO IS BLEEDING," AND

IT TOUCHED RUSSELL

SIMMONS, THE FILMS

EXECUTIVE PRODUCER.

ALTHOUGH ALL OF THIS IS

GREAT AND EXPRESSIVE AND

INNOVATIVE, THIS

PARTICULAR THING APPEALED

TO ME, YOU KNOW, AS A

WAY -- SILENCE IS GOLDEN.

MUSIC IS GREAT, BUT

OPERATING THROUGH SILENCE,

THAT'S A REALLY BEAUTIFUL

THING.

YOU GET TO SAY THINGS

MAYBE A LITTLE DEEPER THAN

WHAT YOU MIGHT SAY IF THE

MUSIC IS PLAYING.

WE WERE BOTH INSPIRED BY

THE SAME POET TO BE A

SPOKEN WORD.

SO WE BOTH SEE THIS

TRANSFORMATIVE PROPERTY,

THIS THING THAT REALLY

SPEAKS RIGHT TO THE CORE

OF HIP-HOP AND SPEAKS

BROAD TO EVERYONE.

IT'S A WAY TO GET THE

VOICELESS TO SAY SOMETHING

AND FOR EVERYBODY TO HEAR

IT.

AND IT'S A WAY TO GET THE

VOICES TO HEAR THEMSELVES.

MY LITTLE BROTHER, HE

WAS HEADED THAT WAY, MAN.

IT WAS REALLY EASY TO SEE

IT.

IT'S NOT ONLY IN HIS BLOOD

LINE TO BE THAT.

I HAVE EIGHT BROTHERS

AND SISTERS.

NOT TOO MANY OF US

GRADUATED HIGH SCHOOL,

ESPECIALLY MY BROTHERS.

THEY'RE ALL IN THE STREETS

AND IN JAIL.

MY POP USED T TO TALK TO ME

THEN.

AND THEN HE ENDED UP GOING

TO JAIL.

I WAS PROBABLY 10 OR 11,

AND EVERYBODY GOING TO

SCHOOL HAD NEW SHOES, AND

I HAD TO HAVE SOME, TOO.

Efrem: YOU SAID

SOMETHING THAT VIOLENCE IS

NOT GOING TO STOP.

THIS IS BEYOND FLESH.

IT'S SPIRITUAL.

CAN YOU SPEAK TO THAT?

WHAT DROVE THAT STATEMENT?

GROWING UP IN A VIOLENT

COMMUNITY, CONSUMING A

CULTURE THAT WAS VIOLENT,

AS FAR AS THE RAPPERS THAT

I LISTENED TO, AND

UNDERSTANDING THAT THIS IS

NOT JUST ENTERTAINMENT

BECAUSE IT WAS HAPPENING

IN MY LIVING ROOM AND MY

KITCHEN.

SO I WAS, LIKE, THIS IS

WHAT IT IS.

AND THEN ONCE I WAS

PURSUING TO BE THAT, I

WAS, LIKE, NAH, I THINK I

WANT TO DO SOMETHING

DIFFERENT.

I WANT TO WRITE TO UPLIFT

MY COMMUNITY.

I WANT TO STOP THE

VIOLENCE IN MY COMMUNITY.

AND I REALIZED THE MORE I

RESEARCHED AND READ, I

REALIZED VIOLENCE HAS BEEN

AROUND SINCE THE

BEGINNING.

ALL OF THESE WARS OF

DIFFERENT COMMUNITIES FOR

WHATEVER REASONS, AND I'M,

LIKE, MAN -- I CAN SAY I

WANT TO STOP GUN VIOLENCE,

BUT VIOLENCE IS THE WORDS,

BY TELLING SOMEBODY YOUR

STUPID OR NOT WORTH

ANYTHING, AND THAT'S A

VIOLENT ACT.

WHAT I MEANT BY THAT IS IF

WE'RE SPIRITUAL BEINGS, IT

IS MORE THAN WHAT I DO TO

YOU PHYSICALLY.

IT IS ABOUT HOW I THINK

ABOUT YOU MENTALLY, AND

HOW I FEEL ABOUT MYSELF

SPIRITUALLY.

IT HAS BEEN PRETTY MUCH

FOREVER.

DO YOU KNOW HOW YOU ALL

ENDED UP IN RICHMOND?

EVERYBODY CAME FROM THE

SOUTH.

THEY CAME TO WORK ON THE

SHIPYARDS, MAN.

WHEN WE WAS FREE, BUT

STILL SEEN AS NIGGERS IN

1940s, AND THEY LET US

WORK WITH THEM, BUT WE

COULDN'T LIVE SIDE BY

SIDE.

WE RESTED ON THE OUTSKIRTS

OF RICHMOND, NEVER ALLOWED

TO LIVE IN THIS TOWN

BECAUSE WHITE PEOPLE

NEEDED THEIR SPACE.

WE WAS IGNORED.

EVEN THOUGH THERE

WASN'T THIS SENSE OF

RACISM THE WAY IT WAS IN

THE SOUTH, BUT, STILL,

THERE WAS DEFINITELY A

SENSE OF SEPARATION AND A

DIFFERENCE.

NORTH OF THE TRACKS,

THAT'S WHERE THEY PUT THE

COLORED FOLKS.

Efrem: WHEN I TALK TO

PEOPLE LIKE YOURSELF, WHO

RISE ABOVE DIFFICULT

CIRCUMSTANCES, I'M OFF

TOLD THERE IS SOMEONE IN

THEIR FAMILY, USUALLY A

PRAYING GRANDMOTHER, WHO

SORT OF TRA VEILED FORVEILED FOR THIS

TO BE BORN.

WAS THERE SOMEONE PUSHING

AND PRAYING --

MY MAMA.

SHE DID A LOT TO MAKE SURE

THAT WE WAS TAKEN CARE OF.

SHE ENROLLED ME INTO AN

AFTER-SCHOOL PROGRAM

CALLED "MAKING WAVES."

IT WAS A TUTORIAL PROGRAM

THAT WILL PREP YOU FOR

COLLEGE.

IT WOULD TAKE YOU THROUGH

FIFTH GRADE THROUGH TO 12.

SHE ENROLLED ME AND MY

BROTHER AND MY SISTER IN

THAT PROGRAM.

SHE WANTED US TO DO WELL.

BUT SHE KNEW WE WERE

SURROUNDED BY THE STREETS.

MY MOM WAS A PRAYING MOM.

Efrem: DONTE HAS A

SPOKEN WORD FOR US A

LITTLE LATER IN THE SHOW.

"ROMEO IS BLEEDING" IS IN

THEATERS JULY 28th.

TRUST ME, THIS IS A MUST

SEE.

> UP NEXT ON "STUDIO

5"...

WHEN WE GREW UP, WE

DIDN'T WATCH COMEDY IN OUR

HOUSE.

Efrem: ...IT'S TIME

FOR A DOSE OF LAUGHTER.

AND SO HE INVITED ME TO

CHURCH.

LIKE, I DIDN'T KNOW YOU'RE

NOT ALLOWED TO ANY AH,

AFTER YOU DO COMMUNION.

[LAUGHTER]

Efrem: WELL, THE WAIT

IS OVER.

HERE IS NUMBER ONE IN THE

COUNTDOWN OF WHAT IS NEW

AND NOW IN THE WORLD OF

UPLIFTING ENTERTAINMENT

NEWS.

AT NUMBER ONE...

DO YOU MIND IF I TAKE

MORE OF THIS?

I WOULD SURE LIKE TO GET

UP IN THE PULPIT AND SOUND

OFF TO ALL OF THOSE

SERGEANTS IN THE

CONGREGATION.

Efrem: "STUDIO 5" HAS

SHARED THE SALVATION STORY

OF HOLLYWOOD ICON STEVE

McQUEEN.

AND SO HE TRACKED THEM

DOWN AND SAID, ARE YOU THE

LEONARD THAT PRAYED WITH

STEVE McQUEEN.

I WAS SURPRISED HE DIDN'T

HAVE THE PREACHER WHO LED

STEVE McQUEEN TO CHRIST.

Efrem: AND HE IS

GIVING "STUDIO 5" THIS

EXCLUSIVE FIRST LOOK.

EVERY SUNDAY WE WENT TO

CHURCH.

I THINK THAT WAS STEVE'S

WAY.

HE WANTED TO MAKE SURE HE

HAD ALL OF HIS QUESTIONS

ANSWERED.

I SAID, EACH ONE OF US

IS DIFFERENT, BUT GOD HAS

A TAILER-MADE PLAN FOR

EACH OF US.

AND HE GRINNED, AND HE

SAID, YOU WANT TO KNOW IF

I'M BORN AGAIN, DON'T YOU?

AND HE SAID, REMEMBER THE

SUNDAY YOU INVITED PEOPLE

WHO WANTED TO RECEIVE

CHRIST?

WHEN YOU GAVE THAT

INVITATION, HE SAID,

THAT'S WHEN I ACCEPTED

CHRIST.

Efrem: STEVE

McQUEEN, AMERICAN ICON,

IS IN THEATERS

SEPTEMBER 28th.

> LAUGHTER IS INDEED

MEDICINE, AND IT IS TIME

NOW TO GET YOUR DAILY

DOSE.

"STUDIO 5" IS SERVING IT

UP WITH WIFE, MOTHER AND

COMEDIENNE ALLISON MOORE.

LIKE, I DIDN'T KNOW

THAT YOU'RE NOT ALLOWED TO

SAY AH AFTER YOU DO

COMMUNION.

[LAUGHTER]

I DIDN'T KNOW.

THEY DIDN'T TELL ME.

Efrem: YOU'RE A

COMEDIENNE, BUT YOU DIDN'T

ALWAYS WANT TO BE A

COMEDIENNE?

RIGHT.

SO I DIDN'T EVEN KNOW

THERE WAS A COMEDIENNE

TRAPPED INSIDE OF ME.

Efrem: REALLY?

I USED TO GET IN

TROUBLE ALL OF THE TIME IN

SCHOOL, BUT I WAS THINKING

THEY WERE HATING ON MY

SKILL.

THAT'S ALL.

SO I WAS DOING THIS

NON-PROFIT EVENT, AND I

HOSTED THE EVENT BECAUSE

I'VE ALWAYS BEEN

COMFORTABLE WITH TALKING

IN FRONT OF PEOPLE.

AND THE COMEDIAN THERE

WAS, LIKE, I DON'T KNOW

WHY YOU ALL GOT ME.

ALLISON IS THE COMEDIAN.

AND I THOUGHT, CAN I GET

PAID.

Efrem: WHAT DID YOU

THINK YOU WERE GOING TO

DO?

WHEN I WAS A LITTLE

KID, I DID THINK I WAS

GOING TO BE AN

ENTERTAINER.

I KIND OF THOUGHT I WAS

GOING TO BE A SINGER.

THE PROBLEM IS MY VOICE

DIDN'T THINK SO.

I GOT MARRIED AND I HAD

CHILDREN.

AND THEN MY DREAM BECAME,

LET'S PUT THESE LITTLE

KIDDIES THROUGH COLLEGE.

AND I STARTED WORKING IN

HUMAN RESOURCES.

AND I WAS IN MY OWN LITTLE

WORLD.

Efrem: I TRIED TO

PICTURE YOU IN H.R.

YES.

SO A GIRLFRIEND OF MINE,

WE USED TO SAY, WELL, WHEN

WE BECOME MILLIONAIRES,

WE'RE GOING TO HAVE A

HOMELESS SHELTER.

WE'RE GOING TO TAKE CARE

OF THE ORPHANS.

AND THE LORD SAID SO CLEAR

ONE DAY, WHY DON'T YOU

SHOW ME WHAT YOU'RE GOING

TO DO WITH THE HUNDREDS OF

DOLLARS BEFORE I GIVE YOU

THE MILLION.

Efrem: OOPS.

OKAY, WE'LL BET.

AND THAT'S WHERE WE DID

THIS LITTLE NON-PROFIT

FUNDRAISER, AND WE RAISED

MONEY, AND WE WERE GOING

TO GIVE 100% OF THE MONEY

AWAY.

AND WE HIRED THE COMEDIAN,

AND HE WAS, LIKE, SHE'S

THE COMEDIENNE.

AND I THINK BECAUSE I

SAID, OKAY, LORD, WE'RE

GOING TO DO WHAT YOU SAID

TO DO, HE ALLOWED THAT

MOMENT TO BE THE MOMENT.

THIS IS WHAT HAPPENS WHEN

YOU SERVE HIM.

Efrem: WHERE DO YOU

FIND YOUR MATERIAL?

IT IS ABSOLUTELY WHAT

HAPPENS.

AND IT CYCLES THROUGH MY

BRAIN.

MY MOTHER PASSED AWAY.

AND I HAVE A REALLY

POPULAR BIT ABOUT JUST

GOING THROUGH THE EXPENSES

OF THE FUNERAL.

> THE PROBLEM WITH THAT

IS I DON'T EVEN KNOW HOW

TO SPELL RESPONSIBILITY.

AND THE FUNERAL PLACE WAS,

LIKE, YOU HAVE $746 COMING

TO YOU.

AND I SAID TO THE FUNERAL

DIRECTOR, THIS IS HOW MUCH

IT IS?

DO YOU HAVE PRICE MATCH?

AND I STARTED FREAKING

OUT.

OH, MY GOD, CAN I GET THE

BOX THAT CAME IN?

Efrem: IT IS FUNNY

NOW.

IT WAS NOT FUNNY THEN?

YEAH.

AND IT GIVES ME AN

OPPORTUNITY TO REALLY MISS

HER.

Efrem: NOW, TO CATCH

MORE OF ALLISON'S HUMOR,

FIND HER ON SOCIAL MEDIA.

SHE IS SURE TO KEEP YOU

LAUGHING.

> AND STILL TO COME ON

"STUDIO 5"...

HALF FREEDOM, HALF...

Efrem: DONTE MARK IS

Efrem: WELL, WE ARE

ALMOST OUT OF TIME FOR

TODAY'S SHOW, SO LET'S

LOOK AHEAD TO WHAT IS

HAPPENING NEXT WEEK.

JULY 23, 1967, DEET DET DETROIT

WAS HIT BY A RIOT.

Efrem: IT HAS BEEN 50

YEARS SINCE A POLICE RAID

LED TO ONE OF THE LARGEST

RACE RIOTS IN DET INDICT DETROIT IN

1967.

THIS PAINFUL PERIOD OF

AMERICA'S HISTORY IS THE

FOCUS OF A MAJOR MOTION

PICTURE.

YOU DON'T TALK ABOUT

THIS TO ANYONE EVER.

YOU UNDERSTAND THAT?

Efrem: THE FILM

REALLY TAKES US THERE.

LET'S NOT BE STUPID IN

THIS SITUATION.

YOU NEED TO TELL ME WHERE

THE GUN IS.

I'VE GOT ALL NIGHT,

PEOPLE.

Efrem: DID YOU FIND

YOURSELVES BREAKING DOWN?

OH, MY GOSH, YES.

EVERY TIME HE SAID CUT, I

WOULD JUST CRY.

WE WOULD ALL PRAY OVER ONE

ANOTHER.

AND WE WERE ON THAT WALL

FOR, LIKE, DAYS.

Efrem: AND THAT IS

JUST ONE STORY FROM NEXT

WEEK'S RUNDOWN.

AS FOR THIS WEEK AND AS

PROMISED, POET DONTE CLARK

HAS OUR FINAL WORD WITH

THIS WEEK'S SPOKEN WORD.

AS THE MORNING NEWS

GLAZES ACROSS CRACKED

BOTTLES AND PLASTIC, IN A

CRAMPED SPACE RUMBLED IN

APPETITE, DEEP INSIDE

SECTION 8 HOUSING, AND A

QUIVERING PIT BELLOWS OFF

THE CLIFFS, HERE LIES A

BROWN BOY.

THE THIRD MORNING THIS

WEEK HE STRUGGLES TO CLIMB

OUT FROM HER WEEPING

PUDDLE, AND SEARCH THROUGH

PUDDLES OF WATER TO PLANT

HIS FEET, OF WATCHING YOUR

BEST FRIEND'S HEAD EXPLODE

IN FRONT OF YOU.

MIND-BLOWING, TO SAY THE

LEAST, DON'T YOU THINK.

WITH SCRAWNY SOLDIERS,

THIS BROWN BOY HAS

UNFINISHED HOMEWORK ON HIS

BACK, AS HE DRAGS HIMSELF

THROUGH A BIG CLOUD OF

PURPLE SMOKE, IN A

BLACK-HOODED SWEATSHIRT,

THERE IN THE CORNER IS

WHEN HE FOLDED, CRUMBLED,

AND WITH EACH CLICK OF THE

CLOCK, HE KNOWS THAT'S

WHERE THE LIVING WAIT.

IS THAT WHY THE TEACHERS

DON'T SEE US?

THIS SHOULD BE THE ONLY

THINGS PLANNED IN YOUR

LESSONS, THEN HOW CAN YOU

FREE US.

HOW CAN YOU REACH US WITH

YOUR HANDS IF YOU'RE HANDS

ARE FULL OF HOLDING ON.

WE CAN'T CALL ON RAISED

HANDS OF GHOSTS, SO WE

FLOAT.

WE PRETEND THAT THE

PROBLEM WILL PROTECT US

FROM A WHITE MAN'S GUN.

REALLY KNOW THE PEOPLE

YOU'RE SUPPOSED TO BE

SERVING.

OR IS IT THAT YOU DO KNOW

AND YOU ARE AFRAID OF OUR

AWAKENING.

Efrem: THE WORDS AND

HEART OF DONTE CLARK.

THAT IS A POWERFUL FINAL

WORD.

BE SURE TO SEE MORE FROM

DONTE IN THE DOCUMENT

"ROMEO IS BLEEDING."

UNTIL NEXT TIME, REACH OUT

AND TOUCH ME ON

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AND BE SURE TO COME ON

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