culture
Taking Back the Music
By Charlene Israel
CBN News Producer
CBN.com –
(CBN News) - The music is loud, the images raw. And the lyrics about violence,
drugs and especially women, are as raunchy as they come. It is hip hop music,
also known as rap. It is something of a phenomenon in the music industry.
But hip hop is not just music. It is part of the culture of many young,
urban, black, inner-city residents.
Hip Hop got its start in the early 1970s, when teens in the South Bronx
mixed rhythms and melodies with poetry that chronicled life in the hood.
Back then, the music was innocent and fun. But today's hip hop bears little
resemblance to those innocent early years. Its lyrics are now filled with
references to violence, pimps, drugs -- and when it comes to lyrics about
black women, they are nearly always degrading and verbally abusive.
Women are shown scantily clad, dancing around fully clothed men simulating
sex acts. And in many cases, referred to as whores and other demeaning names
we cannot put in print.
The following lyrics from a song by hip hop artist Ludacrais is just one
of many examples: "Just got to the telly and I slid through the door,
onto the elevator to the penthouse floor. What happened next, only time
can tell, cause I got up to my room and I was mad as h_____. Who let these
h____'s in my room? Who let these h____'s in my room?"
Other songs include artists referring to themselves as pimps, peddling
women as prostitutes, and strippers, and women being roughed up and often
called the names of animals.
These demeaning images and degrading lyrics about women have become the
norm in hip hop. But after years of these increasingly violent lyrics, some
black women are finally saying enough is enough.
Students from Spelman College in Atlanta were outraged when they found
out that popular hip hop artist Nelly was scheduled to visit their campus
for a charity benefit.
Spelman student Ebonne Ruffins said, "It's time to say no, we can't
continue to stand for these images. It's just continually getting worse."
The women say that Nelly's lyrics about women are highly offensive. We
watched some excerpts from Nelly's "Tip Drill" video with them.
It was a video that shows women wearing bikinis, thongs and spike heels,
dancing and posing in sexually provocative ways, while surrounded by men
making fun of them.
Spelman student Jennifer Lesleigh Moore said, "I didn't know what
to expect. I didn't think that videos could stoop to that kind of level.
Are you serious?"
And Spelman student Jessica Young remarked, "These women were like
animals, like, I feed my dog, I take it out, my dog is there for me. Those
women were just there for those men, just for whatever they wanted to do,
however they wanted to touch them, however they wanted to speak to them.
Just like, you know, an animal is at the mercy of its human dominator, those
women were basically at the mercy of the camera and the disgusting men in
the video."
Spelman gave Nelly the chance to defend the video, but he refused. When
he found out about the protest, he canceled his appearance at the school.
For years, black media was silent on how degrading hip hop had become.
But in January, the leading black magazine for women, Essence, blasted the
industry for debasing black women.
Michaela Angela Davis, the editor of Essence, said, "We're
calling it an intervention -- as if our brother's got a drug problem and
we say, we love you and we want to see a change, 'cause it's hurting all
of us."
Essence launched a year-long campaign called "Take Back the
Music," aimed at getting artists to think about the impact their music
has on black America.
Davis is in charge of the campaign. She said, "This is just the right
thing to do. I mean, aside from whatever your feelings are, whatever people's
morals are, whatever their socio-economic background; it's just the right
thing to do."
Essence says young girls who think they are only good for what
they see in hip hop culture should know.
"We know that's not who you are,” David said. “You're
not a stripper. We know that you're not limited. We know that you have the
potential to be anything and anybody you want. Oprah Winfrey was on the
corner."
But Davis says she is not talking about censorship. She said, "We're
not telling the artists what to think, we're just asking them to think."
But amazingly, not all black women believe that hip hop's image of them
is bad.
Toya said, "I like it. I like it because I can relate to it. I can
understand what they're saying in rap music and stuff."
And Yolanda commented, “You got to do that kind of stuff to sell
music. I'm saying that's what people like to see, as far as the girls with
the little stuff on. They like to see that so that's what they have in their
videos."
Robert Woodson is founder and president of the National Center for Neighborhood
Enterprise. He says it is attitudes like that that are part of the problem.
Woodson said, "There's a kind of political correctness that is rampant
in the black community. It says if anything creates income, no matter how
immoral or how debased or no matter how harmful, somehow it's ok, it's justified
because after all, it's making money. Or we say people want to see it, people
want to hear it. So why not give them what they want to hear? Why not give
them what they want to see?"
As someone who works to revive failing black neighborhoods, Woodson applauds
Essence's “Take Back the Music” campaign because hip
hop's immoral images, he says, are partly to blame for the breakdown of
the black family.
He said, “Only one-third of black children are being raised in households
with a man and a woman. This is all within 40 years -- this decline -- dramatic
decline. I think contributing to that decline is the kind of abuse you see
from the Hip-Hop industry, that are not only sanctioning, but making huge
profits from the exploitation of black women."
Woodson says, too, that hip hop's constant sell of premarital sex has led
to the spread of AIDS, the leading cause of death for black women aged 24-45.
Every day, more than 20 African-American women are infected with HIV.
"It’s a lot of girls in this community who aspire, you can go
to some of the schools in this area and there are girls who aspire to be
strippers,” said Woodson, “because of the glamour they see on
the videos. Teacher asks them what they want to be when they grow up, and
they say a stripper..."
Philip Mosby is an inner-city pastor in Atlanta. He says the answer is
not only to guide black youth about the negative images they see on TV,
but to give them a sense that God thinks much better of them than who they
are in those videos.
"Speaking to these young girls and these young boys and tell them
this is not glamorous,” Mosby said. “This is not the biblical
image that God wants us to live."
Although there is no sign that hip hop has any plans to clean up its raunchy
image, it is safe to say that the industry has been put on notice. Some
black women are taking a stand, a stand that could mean more positive images,
not just for black women, but for the black community as a whole.
Woodson said, "I think that the American public is on overload when
it comes to sexually explicit movies, sexually explicit songs. And I just
think it is reaching the saturation point, and I think there is going to
be a rebellion against it. And I'm praying and hoping that it will be, and
perhaps Essence and other groups within the black community can start that
trend."
Ebonne added, "It's about spreading the message that it is wrong and
that we can do better, and we are better than this."
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